Get ready to defend Reach with this comfy black hoodie featuring Spartan Emile-A239’s iconic helmet art.
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Reach was a while ago, but hopefully you'll like what I have to say. I was explaining this to a friend recently, and he told me to share it here. If you think your content is worth it, contact the mods to be approved and whitelisted.E) Top-level comments with less than 100 characters are automatically removed.R/gaming4gamers - Discussion, bar the HivemindR/gamingsuggestions - Go here to help you find your next game to playR/shouldibuythisgame - Find out what's worth getting./r/nintendo - Nintendo-specific subreddit for general Nintendo news and discussion/r/CoOpGaming - A community for co-op gamingHi /truegaming.
Go back and reread that sentence. He's a walking museum of "badass" stereotypes: big-ass knife, skull carved into his helmet, belts of grenades strapped to his red and grey armor, constantly cracking off-color jokes - At first glance, he doesn't seem to have much personality aside from "I am the token bad boy in this team." And while I see why some people would believe this, I believe he is the most human, and indeed the most relatable of the Nobles.The first time the player encounters Emile, he is sharpening a knife on his bicep. Emile sticks out, doesn't he? A lot of people regard him as the least well-written Spartan, and they're pretty justified in saying so. Well, every member, it seems, except Emile. Despite the few problems I have with its story (another time, maybe), Reach is one of my favorite games of all time, mostly due to the incredible individuality and depth written into each member of Noble Team.
After Kat dies - in front of him, mind you - his attitude changes and you don't hear him make light of anyone's death again. What's interesting to note is that both these deaths happen off-screen for Emile.What's very interesting to note is that that joke about Jorge is the last malicious joke he says in the game. During the story, there are two major deaths Emile makes jokes about: the scientist in the first mission - he chides Jorge for caring about the dead man's daughter - and the death of Jorge himself - "The big man was sentimental.". After all, he keeps this attitude up throughout the whole game:"Command will not be keeping us company on this trip." "I'm lonely already.""She needs a full psychiatric work up." "She's not the only one.""May I ?" "Don't cut yourself."Along with some more quips during actual gameplay.So why all this? Why the attitude, the macho symbolism, why is Emile the only Spartan to never take his helmet off? My theory is that it's all a mask for a major insecurity.This is why he hides behind the skull and knife, why he's the only Noble who never says anything positive to 6, why he always makes light of other people's deaths.
From the 11:15 mark, look at everyone's position. When he witnessed Kat die in front of him, Emile came face to face with his own mortality, with the realization that not even his intimidating helmet could protect him from a stray bullet.Watch this scene. After all, there are no Spartans KIA, and he had yet to see one die (I understand we don't know anything about the previous Noble 6, but if this trailer is canon, then Emile didn't see him die either).
This image is my favorite moment in the game, and I think it's truly beautiful the way it subtly conveys how Emile feels right then.Emile's personality changes after that. The BLUE flare heralds their escape out the city, and the continuation of the story, it represents the resilience of the Spartans and their determination to keep fighting for the planet. Carter Jun and 6 are illuminated from the front, while Emile, still inside the wreckage, is illuminated from behind. He's separated from the rest of the team physically and figuratively. His arms are at his sides, completely passive.
Thanks for indulging my theory!(DISCLAIMER: I have no affiliation with the Youtube user xxXD3xxOne, his videos were first when I searched "halo reach cutscenes")EDIT: Wow, thanks everyone for giving my hypothesis the time of day, and I appreciate the discussion that it has sparked among you Halo fans. Have you encountered a similar "shallow but deep if you look hard enough" character in your gaming experience? I welcome the discussion. After connecting the dots, he went from the token bad boy to a tragic persona: afraid of dying and cursed with being witness to the deaths of his teammates, he overcomes his fear and faces his death like a true hero.So /truegaming, do you agree with my theory, or am I pulling shit out of my ass. Giving his life to ensure safe passage for the Pillar of Autumn, his last words areIs Emile a product of brilliant writing, or a lazy character who accidentally turns deep if you look too far between the lines? I can't say, and I've had people tell me I'm over analyzing the hell out of this character, but I like my Emile. Let's go." By the end of the game, Emile has come to accept his mortality and the inevitability of his death. After Carter dies, Emile carries on: "Crevice to the east.
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The story, while excelling in some areas, dropped the ball in others. I, uh, get a little worked up over this hahaApparently this is too long for one post, so I will split it up.I enjoyed Reach, but it was one of my least favourite Halo games. As opposed to just "Let's take the original theme, but with A BILLION CELLOS" which is how I would describe the Halo 2 and 3 soundtracks.Wow this is a really long rant.sorry about that. The Arbiter theme also grinds my gears - I like the anvil hits, but then it gets pop-y towards the end, like what?In my view, the first 3 Halos are a lot like the Matrix trilogy, and it's the same with the Halo music: No one expected the first one to be successful, or even noticed at all, so the devs had fun with it, and the music reflects that - it's simple, catchy, it's all digital instruments, hell even the iconic Halo chant? That's a couple of the composer's friends!O'Donnell and Salvatore made the first soundtrack really for the art of it, I feel, but when Halo took off and suddenly they had a MASSIVE budget, they were like "Oh shit, gotta spend all this money on something, let's get Incubus, and Breaking Benjamin, and Hoobastank, and put electric guitars EVERYWHERE, Fuck Yeah!" and the result was just kind of Uggghhhhhhhhh.Then for Halo 3 they did the exact opposite for some reason and got rid of all the rock elements and went for a Full Orchestra and Chamber Choir to make the music AS EMOTIONAL AND EPIC AS POSSIBLE OH YEAH BRING THAT GRAND PIANO IN HERE BRO GODDAMN THIS IS SO EPIC and to me it felt like it was completely forced and convoluted and just so far removed from the first game's soundtrack and the kind of story Halo 3 was trying to tell, that I couldn't enjoy it at all (even though the songs are really good on their own).I feel like with ODST and Reach, the composers really sat down and made an effort to design the soundtrack around the overall mood and theme of the story.
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